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October 2023, LGBTQ, Meaning Making
Maij Vu Mai
The Space Between Us

by Maij Vu Mai

What is religious pluralism to the Survivor? To the one who’s lost faith in themselves? Lost faith in other people? Lost faith in humanity? To the one who’s lost faith in their ability to connect because…

The Space Between Us
October 2023
Miranda Hovemeyer
Putting Interfaith Inclusivity to the Test

by Miranda Hovemeyer

I’ll be honest. I haven’t felt at home in the field of interfaith work for quite a while. During one of the last interfaith conferences I spoke at, I was asked by an older white gentleman why I was there, then insisting…

Putting Interfaith Inclusivity to the Test
Arts, October 2023
Sable Manson
Interfaith Retreat-in-a-Box

by Sable Manson

n the spring of 2020, I was working with my higher education colleagues to prepare for an interfaith retreat set on Catalina Island, off the coast of southern California. We had planned numerous…

Interfaith Retreat-in-a-Box
October 2023, Emerging Interfaith Culture, Interfaith Relationships
Najeeba Syeed
Multi-Faith Relations in Rural Settings

by Najeeba Syeed

I’ve written about “casserole” hospitality, an ethic of care demonstrated in America’s Heartland found in communities of various traditions who welcome…

Multi-Faith Relations in Rural Settings
October 2023
Anum Mulla
Compassion as Strength: Reclaiming Religious ...

by Anum Mulla

When we talk about compassion, which by definition is found in aspiring to alleviate another’s suffering, it is far too often viewed as a path that only implores people to be kind. Some societies are…

Compassion as Strength: Reclaiming Religious Pluralism

Abraham

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Abraham and the Old Man

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Abraham and the Old Man

by Carrie Sue Ayvar

Born and raised in Pittsburgh, Pennsylvania, I spent every summer from the time I was a year old until I went away to college at my maternal grandparent’s house in North Miami Beach, Florida.

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Bronzes – Women as Agents of the Sacred

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Every culture has found ways to express its sense of the sacred or transcendent in myth/story and representationally in graphic form. This series of sculptures emerged from my interest in the role of women as centers through which the sacred is expressed or through which the sacred interacts with human communities.